The ghastly creatures — Dracula, Frankenstein, the Werewolf and others — in the old-school monster movies from Universal Pictures scared audiences in the 1930s and 1940s.

So, too, did the Gill-man from 1954’s “Creature From the Black Lagoon,” said to be inspired by stories of a half-human, half-fish monster living in jungle rivers. But the Gill-man was all make believe, right?

In 1818, Mary Shelley created popular culture’s first and most enduring monster in “Frankenstein; or, The Modern Prometheus.” Since then, “women have always been the most important part of monster movies,” as Mallory O’Meara states in “The Lady From the Black Lagoon,” her engaging and compelling, if uneven, book about artist Milicent Patrick, the unsung designer of another iconic monster.

The influential author Angela Carter died on 16 February 1992.

Despite her early death at the age of 51, Carter forged a reputation as a serious writer – working across fiction, non-fiction, essays and journalism.

However, it was her interpretation of classic fairy tales in the 1979 anthology, The Bloody Chamber, which sealed her reputation as an author. Teasing out the darker, sexualised elements of the original tales, Carter tackled sex, gender, and relationships head-on.

In this clip, Carter discusses her take on Beauty and the Beast – and its erotic undercurrents – with former Monty Python star Terry Jones.

1. One that really stuck with me was The Long Walk by Stephen King writing as Richard Bachman. I think just because it’s rather intensely focused on survival as a competition (100 young men, 18 years old, walking continuously until there’s only one left. The others will die of exhaustion or breaking rules, one of which…
via 50 Dark, Disturbing Stories To Add To Your 2019 Reading List  — Thought Catalog