I’m not alone in saying that the Addams Family from the 90’s is probably one of my favorite […]

Wes Craven had a gift for reading the room. He was always in touch with where society was and made his movies accordingly. A Nightmare on Elm Street perfectly married the rise of the 70’s slasher to the bombast of the 80’s. New Nightmare was a bellwether for the ironic self-awareness of the late 90’s upon which Scream then fully capitalized. But looking back, arguably Craven’s most reflective and socially relevant work was The People Under the Stairs.