Mild spoilers ahead!

I’m going to spend a lifetime with Knives And Skin. Its pulse of color, vibrating hope on a low frequency. Its unapologetic exposure of our inner-selves that is unspeakable, primal, and plain messy. Its audiacity towards the indulgence of surreality. Knives And Skin is a filmic whole. A complete body and mind. Everything we have and will experience if given the room. Due to its tonal soup, I celebrate its odd brilliance by speaking of and back to this film the way it spoke to me.

The Seattle International Film Festival, the largest and most highly attended film festival in the United States, announced today the complete lineup of films, guests, and events for the 45th annual 25-day Festival that runs May 16 – June 9, 2019.

This year, SIFF will screen 410 films representing 86 countries and will include: 147 features (plus 4 secret films), 71 documentaries, 12 archival films, and 176 shorts. The lineup includes 33 World premieres (12 features, 21 shorts), 42 North American premieres (27 features, 15 shorts), and 19 US premieres (11 features, 8 shorts).

I’ll be attending as many genre/horror movies as I can for you guys. Here are my top picks for movies to see this festival circuit! Are there any that you plan on seeing? I would love to know what movies people are excited for this year!

Tim Burton is one of modern filmmaking’s best-known directors — largely because his films all look like Tim Burton films. It’s hard to find a recent director whose distinct visual aesthetic has become so universally, immediately recognizable. Even in his new live-action Disney film Dumbo, which is something of a departure from Burton’s previous work — it’s a remake that doubles as a careful critique of its predecessor — it can still easily be called “Burton-esque,” like all of his movies.

It was all right there in the trailer.

There was Adelaide (Lupita Nyong’o) looking, dressing and acting like a regular degular Black mom in a car with her husband and two kids, headed to the beach. Then, Luniz’ “I Got 5 on It,” comes on the radio and she tries to get her young son Jason to…snap along with the song. “Get in rhythm,” she tells him, but sis, which one? She’s snapping on the one and the two and the three and a half. Adelaide is a fraud.